Set Adrift
The Drifter is a film that looks superb, has a workable premise and contains some of the better Indonesian tube riding you’ll ever see. But does the narrative work? For a film about journey, travel and introspection, The Drifter occasionally rings hollow.
It is the danger when a surf filmmaker enters the complex world of storyboards and a bold narrative. Do not see The Drifter expecting a surf film. It has surfing in it (around 40 waves over 50 minutes) but the objective is to recreate, with emotive punch, the two-year sabbatical of Rob Machado. It was made with a more mainstream audience in mind, and given that, it succeeds.
I don't feel like we ever see a real or vulnerable Rob. It’s too glossy, scripted and calculated for a guy who spent an extended period in the wilderness away from his children.
It begins very well. The opening sequence is a pastiche of Rob’s competitive highlights and successfully sets the foundation for the narrative by pointing out the contrast between Rob and the intense scrutiny of a very successful WCT career.
The first wave of his Indonesian journey is unforgettable. A looming Padang wall stands up and pours section after section over Rob, to the FX of a wave crashing. The shot is pulled way back, giving a unique perspective on an oft seen wave.
It is this ability of Taylor to give meaning to every wave ridden in the film that is the hallmark of The Drifter and makes it worth seeing. Only the absolute cream clips are used and Rob is surfing as well as ever. Smooth hacks and hypnotic tube rides characterise his performance. A second film made of predominately surfing footage will be released. The cinematography is polished, layered and vibrantly coloured.
There are warm scenes when Rob has his bike fixed by a local mechanic, as well as an informative discussion of rural Indonesian architecture (animals are kept on the bottom, family in the middle and food in the roof of the one house). There is also a valuable comment made on the feverish western obsession with Indonesia in the opening scene-setting period in Bali and Desert point.
The big budget soundtrack includes Jose Gonzalez, the Black Keys, White Stripes and Midlake. – Jed Smith
Drifter Trailer from Poor Specimen on Vimeo.




Posts: 31
Reply #31 on : Wed February 10, 2010, 13:13:17